Month: May 2017

week 12, Enter

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Week 12 has been the most challenging yet.  I have been experimenting and taking photos, but I haven’t produce enough. I tried taking street candid photos, but I met challenges. First, taking the photos in broad daylight to highlight my concept does not help when the sun overshadows the digital screens. Taking the photos at night solves the problem, but then another problem is that trying to sync together the studio photos and real-life concept is very tricky. Aside from the aesthetic difference, I can not figure any way to link the two photos. So after talking to Brian again, I decided to drop the street photos. I feel like I could focus more on formulating my message If I use the TV show as a source of Inspiration. I found a couple of websites that could help me construct the message & style. Another thing I need to improve is the variety of subjects. I did many self-portraits to say I am also ‘in the problem’ but I think with more people i can give a powerful message in the picture.

Looking back over the past 11 weeks I’ve seen my use of photography growing and changing. I have better understanding of my own style and I understand better how to direct my own project. Looking forward in seeing how this turn out

Into the Process

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  I talked to Brian (my tutor) about my concept and what I had came up so far. I was struggling with finding Ideas to represent what kind of message I want to send across. The challenge was taking the social aspect idea out from real-life to a studio. Brian Suggested to try thinking about my core concept again. In…

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Planning and Launching the Plan

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"Journey" 162/365

 

Today most of the class consulted with Brian regarding their project’s process. I talked to Brian more about the project, I found some challenges. I find it hard to move a the social aspect of ‘reliance on the digital screen’ to the studio, because then it would feel scripted/not candid. If you want to capture people’s dependence toward their digital screen, isn’t it best to caught them candidly, in the middle of the act ? This question made me rethink my concept of my work now. It definitely isn’t a regress, but a review on my current Ideas. Taking pictures outside with observation is a definite answer to this, but one of my goal is to try to work in a studio environment. I might have to somehow rethink a concept that allows me to do both.

Final Project Presentation

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Last Tuesday (week 10) everyone presented in class their plan for the Photobook project. We had guest teacher to come serve in the panel to give comments and opportunity for students to ask question & advice.  A very intimidating but very useful class, everyone explained their idea brilliantly and all of their ideas are impressive.

I explained during the 2 minute Presentation what I have learned so far about the Uses of Photography. With the first and second project Brief, I’ve learned to draw upon my own style through my inspirations. While I still can’t put a name to it, I understand what sort of photos I like to take. With the second Project Brief, I learn about the relation of photographs and narratives. I learn the unique process of telling a story using images. All of what I’ve learned so far has motivated me into my idea for the final assignment.

When Brian Gave an online questionnaire to the class about our future goals, I said that I want learn to work in a studio environment. But I didn’t manage to do that in the first assignment and it wasn’t possible with the second. So I am going to try it for this assignment. Brian has taught the class about studio lighting in week 3 so I will practice from there.

My Idea for the next project comes with inspiration from the TV show ‘Black Mirror’. Black Mirror is a series that shows how technology can pragmatically affect how society works. I want to make a Photobook that shows how dependent we are with our digital screens, in particular our smartphones and laptops. I want to do this because I am one of those people. I want to emphasize the reliance of digital screen as an alternative source of light. Especially at night time.

Presenting and asking for suggestion helped me to consider if my idea is pursuable. The next step is to find the right equipment and right setting and think of ideas where digital screen and people’s face can be most exploited. I will consult with Brian while brainstorming through google and Pinterest.

And so Week 9 Goes

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I want to fly

 

Brian taught the class more about our so-to-be conceptual project and the way which we will publish it into a concrete print. The class talked about “Reading the Photobook” by Gerry Badger.  A further discussion from Bella Capezio, what is really needed in a photobook?  In the article, Badger cited many artist opinions on what they think a photobook is, and each quote varies. Badger cited Lewis Baltz that pointed photography as “a narrow but deep area lying between the novel and the film”, and Raplh Pins that photobook is an autonomous form “an event itself”. These artist touched upon the photobook as somewhat abstract form of storytelling, but another expert opinion, John Gossage noted that photobook has four qualities. “It should contain great work. Secondly, it should make that work function as a conscise world within the book itself. Thirdly, it should have a design that complements what is being dealt with. And finally, it should deal with content that sustains an ongoing interest”.

I feel in a sense, that what all the great commentators try to say is that photobook has to transport the viewer into the new fiction world, filled with the author’s subjectivity but allows the viewer to conjure their own meaning from the book. One particular point Gossage said is that all works of the photobook are fiction. We (the class) somewhat agree with the comment as compiling the photobook by the author cannot exclude the author’s personal meaning. The photobook must somehow represent the author’s idea, whether or not the images are nonfiction. The author’s personal interpretation is hence what is ‘fiction’ in the work.

Even though opinions on the photobook varies, Badger (and Brian) concluded that a photobook requires several elements:

  • It requires the photographer’s conceptual core. The conceptual core is required before the whole process starts. It is the guiding light and the heart of the project.
  • A photobook requires sequence. It is arranged with a beginning, a middle and an end. juxtaposing the images is important in delivering the idea you want your audience to get
  • It requires a layout. While some might think the design isn’t as important as the content, the book’s layout is an opportunity to further give context and allows for creativity to run wild. A good layout can create an atmosphere set before and while reading the photobook.

Soon everyone in the class has to stand in front of a panel of judges to deliver our ideas and our understanding of the course so far. I still haven’t figure precisely what concept I want to pursue, just like the guy in the picture looking blankly at the parrot.  I want to do studio-based project, Because that is one of my goals I told Brian during the first few weeks of the class. I want to try and see what I can play with a controlled environment. I’ll try to ponder some more around the weekends and see if I could come up with any more ideas.

Pixels and Print

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Untitled

 

Last Tuesday we had a guest lecturer to talk about Publishing images in the form of a photobook. I learned about how photographers can further connect with his/her audience through concrete medium. Now when everything is almost digitized, publishing/printing your photographs means taking a further step in your photography project. And like writers/journalist, publishing your photos in the form of book makes you a storyteller. There are many considerations when planning and designing your photobook. There are things you can do with your photobook, rather than just showing your photos. Aside from telling the story, photobooks can provide another viewing experience and new sensation for your audience. From the theme of the book, the type of paper, the type of cover, the color, the binding/stiching, the folds and the layout the book can provide even greater context and justification to your photography work.

I am very excited for the next upcoming project. Unfortunately I haven’t been able to come up with ideas. With a week to spare before the presentation, I will try to keep my pen and notebook ready at times where serendipity strikes.

Inhabitants of the Cat Cafe.

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So for my photo essay, I decided to do a series of the cats in the Cats Cafe.  My friend showed me the cafe she usually goes to where you can play with the feline tenants once and I was hooked. The cats looked incredibly mesmerizing and we became best friends. They sleep, they play, they eat and they’re loved by many. Cats are my soul animals and I was very excited to do this project. With the permission of the cats and the cast of the cafe I started to plan the sequence in which I want the story to turn out. Since this is a photo essay, captions will be limited only as a preface of the series.

For equipment I kept using my Panasonic Lumix camera, which worked good, and produced good quality pictures. I did not use external flash because flash is prohibited, so I complimented my camera with a tripod instead. There are some disadvantages I received from using my camera though, Because the brand is fairly new in the market, it is hard to find different varieties of lenses. Panasonic lenses are not provided by the A/V loan so I had to stick with the lenses that I own.  As a result of this the angle of the photos are not as diverse as I wanted it to be. But with the limited equipment I still managed to get most of the style that I wanted.

In creating the photo Essay, Brian told us that we have to consider the sequence which the photos connect to each other. I remembered he said that we should consider what atmosphere we want to leave the audience/viewer in. We have to conjure the exposition of the place, the complications and rising actions, the climax, falling action and resolution. I find it challenging to create a sequence for the cats, because the cats act spontaneously and my time in the cafe was limited. But there are some definite checklist to mark for some of the shots and those are:

  • establishing shots
  • sleeping shots
  • cats playing shots
  • One photo with the owner
  • cats eating.

I figured the right sequence would be the start and end activities of the cats, from being playful to being tired.

Because of cats, I want to leave the viewers in a feeling of warmth/fuzzy and furry. I realized now how much it affects how I edit the pictures. I shifted all the temperature of the images into a warmer tone and purple tint. I also want to make the pictures look somehow retro/taken from a film camera, So I added the fade effect and lower the shadow tones. There are some challenges I face editing the pictures. Some of my friends (the cats) have black fur, which is problematic with my camera. To stop my friend from looking like a black blob with eyes, I have to increase the shadow and the blacks element of the picture. But this creates a overly fade look on the picture which is unpleasant to look at. I overcome this with my playing with the exposure, contrast and the highlight.

Overally I was please with the result of the photos Even though there could be a lot more improvements. With more preparation I could create a better sequence and possibly even better shots of my friends. The project has taught me that creating a textless caption requires critical and creative thinking on the spot, added with good preparation beforehand. Because you never know what you are going to get from your subject, you have to solve any possible problems that might come. And one more thing, now I have new friends because of this project!

 

Planning the Photo Essay

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RMIT mid semester break gave a fresh air to every student who’s all puffed up with the bundle of assignments. After having my share of the break, I tried to brainstorm the kind of story I wanted to make. The student that Brian coupled me with is Fern Arisara. Fern gave me a lot of of options, from some of…

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