Broken Dishes

David Shields is a creative non-fiction writer, and his book ‘Reality Hunger: A Manifesto’ is written as a series of individual snippets of his past; the web of his previous experiences.  There are some fantastic quotes in here, and I’ve selected a few of my favourites.

“Collage’s parts always seem to be competing for a place in some unfinished scene.”

“The law of mosaics: how to deal with parts in the absence of wholes.”

“Conventional fiction teaches the reader that life is a coherent, fathomable whole that concludes in neatly wrapped-up revelation.  Life, though – standing on a street corner, channel surfing, trying to navigate the web or a declining relationship, hearing that a close friend died last night – flies at us in bright splinters.”

“A mosaic, made out of broken dishes, makes no attempt to hide the fact that it’s made out of broken dishes, in fact flaunts it.”

“Momentum, in literary mosaic, derives not from narrative but from the subtle, progressive buildup of thematic resonances.”

“You don’t need a story.  The question is How long do you not need a story?”

“I hate quotations.”

Shields, David. Reality Hunger: A Manifesto. New York: Vintage, 2011.

Working With Korsakow

Korsakow research leader Matt Soar shares his thoughts on the future and longevity of non-linear documentaries, and given his position, it makes for an enticing read.  He predicts that these open source programs will eventually last longer than their commercial counterparts, because they involve a greater community involvement and offer much more diversity and are more readily accessible to the broader society.   Both arguments are huge factors when considering the evolution of software.

Perhaps the statement that resonated most with me was Soar’s description of Korsakow film as a medium, which he describes as “an extended exercise in interactive spatial montage”, where the term ‘spatial montage’ is described by Lev Manovich as “a number of images, potentially of different sizes and proportions, appearing on the screen at the same time”.

Soar goes on to discuss the crucial importance of the Korsakow interface for audiences, quoting Will Luers when explaining  that “the narration of the database is through the interface; its design, entry points, absences, spatial complexity and simultaneity”.

 

Soar, Matt. “Making (with) the Korsakow System: Database Documentaries as Articulation and Assemblage.” New Documentary Ecologies Emerging Platforms, Practices and Discourses. Ed. Kate Nash, Craig Hight, and Catherine Summerhayes. Palgrave Macmillan, 2014. 154–73.