Design Fiction as a Pedagogic Practice: On Week 3 readings
“The transformative potential of Utopia depends on locating it in the future, on thinking through the process of transformation from the present, and identifying the potential agents of transformation”
Ruth Levitas in Tom Moylan, Dark Horizons: Science Fiction and the Dystopian Imagination.
As an English tutor to 8 beautiful students I found this week’s reading particularly thrilling. I love the idea of education as an attempt to envision tomorrow, and more practically to give kids the skills to do so- Ward’s ‘complex set of actors in order to move our fictions to the realm of the real’. For me, I think about my students envisioning the world of tomorrow as their SAC or exam, a future just out of their reach. At the moment they see it as quite a dystopic wasteland of literary grief, but with my help as an educator I want to give them the tools to make this future harder, better, faster, stronger to bring in some Kanye (Ok, perhaps not harder but the lyric would be incomplete).
As Ward says, my student’s ‘work is a side effect of learning’. Their mistakes serve as catalysts for a Rocky-esque comeback, though I hope as their coach I too do not have a heart attack and die just before their SAC (touch wood).
On a different note, I love the readings notion of ‘fiction as a testing ground for reality’. It’s quite weird watching clips of 2001: A Space Odyssey and seeing just a casual iPad. Obviously, Kubrick’s test of this new technology pretty much worked. Also, I’m a bit freaked out watching Blade Runner and reading into the fact that we’re in a dystopian future where Eastern cultures reign supreme at least culturally. As our blessed PM K-Rudd has stated, ‘it’s totes the Asia Century guys #YOLO’ (keeping the young peeps engaged). On the other side of Politics, Turnbull in his 2011 address to the London school of economics also stated that our future lies in China. Isn’t it interesting that Blade Runner’s Americany looking city (maybe Chicago?) is soaked in Eastern influences, right down to the noodles Han Solo nibbles on broodingly. On another level, Blade Runner is set on planet Earth which has been left behind for the new planet with less pollution, only the rich are allowed to pitch their tent there and everyone else just has to meander about in the rainy wasteland squatting in grand new york brownstones. Oooooo, could this be our future? All this makes me think that Blade Runner is a great example of Design Fiction. Perhaps Back to the Future is not, as I always am outraged I have no hovercraft to glide me to my Networked Media unlecture on a Tuesday.
Whatevs Spielberg, give me some Ridley anyday.