Sitting down in a lecture room watching Christopher Nolan’s Inception (2010) was an interesting yet rewarding experience. As it was not my first time viewing the film, I had a preconceived expectation that I would not be disappointed upon the films conclusion. The high expectations that were cemented within my mind from prior screenings were live up to, as the film progressed throughout its narrative, as with other complicated films, elements of the narrative became more apparent to me than ever before. The storyline of Cobb and Mol personally, was comprehended in an easier manner, their relationship and its influence clearer when considered in the broader context of the film. Understanding the characters on a deeper level required less focus and strain, their purpose and motivations, along with the complications of the different levels of the dream and its intricate elements clearer due to my developed understanding of them. It is interesting to think about what a film can reveal to audiences upon multiple screenings, as focus in the frame can shift between many visual, audible and narrative elements.

Another reflection of watching the film is that the space one is in truly alters the viewing experience. Sitting in a room completely different to our usual lighting impaired room to a darker lecture style room was interesting. The space appeared darker, more for viewing rather than working, however for some, the light escaping the blinds was somewhat distracting, along with the dark smudge across the projected surface that was raised by a peer. This setting completely curbed my concentration to the narrative of the film, and how it was reflected in the visuals within the frame. I found that this occurred due to its complicated storyline, that the visuals almost took a back seat, replaced by the desire to understand and concisely comprehend. Whilst viewing this film again, I believe my focus would shift more to the visual components of the frame – the use of the “architecture” within the film world and the types of shots used t o achieve the overall aesthetic and style. Overall, the viewing was useful in prompting to the idea of the narrative being reflected through visual components, something that I would like to outline through my major project.

REFERENCE:
Inception (2010) Directed by Christopher Nolan [Film]. USA: Warner Bros. Pictures.