SOCIAL MEDIA FEVER

I made a crippling error today.

After reminding myself multiple times while hurrying around and getting ready for uni, after having made this mistake before and seemingly not learning from it, after two months of being a university student and knowing better that I really do require them, I forgot my headphones. Again.

After the initial rage and disappointment directed at my life decisions passed, I rested music-lessly with my head on the train window.

And it was in that moment that I noticed the most peculiar thing.

I looked up and made fleeting eye contact with the teenager in front of me, and realised that we were the only two people in our carriage who had looked each other in the eye.

Everybody else who was packed like sardines in our carriage was glued to their phone, iPad, ebook reader, iPod, or some form of a screen that illuminated their face with that telltale bluish glow.

Even the elderly were actively tapping the keypad of their flip-phones, texting whom? I’ll never know.

I stared around aghast, but more than that, intrigued.

What were they doing? Who were they talking to? What applications were they avidly engulfed in?

And I wondered how strange we must seem to those from third world countries who don’t share the same digital culture that we do. I mean, here we are with a screen in our palms and wires plugged into our ears, being mindlessly dominated by this device and foolishly thinking that we are in control.

I know what it’s like. I’ll log onto Facebook and read a thoughtlessly racist or homophobic or just generally ignorant status and my day will be instantly ruined.

Social media is a buzzkill, there’s no denying it. Because we’d all rather be in Waikiki where that model from Instagram is, or eating that burger that your coworker just tweeted about, or driving that new BMW that your uncle who ‘poked’ you until his friend request was accepted just posted about on Facebook.

And still we make the conscious decision to expose ourselves to such dispiriting activities that involve mindlessly scrolling through the lives of our own personal ‘followings’.

So why do we do it? For the ego boost that getting 11 likes on Instagram for your most recent ‘selfie’ gives you? For the gratification of knowing that there is someone, anyone out there, who cares enough about your chicken parmigiana to double tap it?

This philosophical debate is brought to you by my headphones, who couldn’t make it today because I possess poor organisational skills.

PB4: MEETING 2 MINUTES

Today was the group’s second meeting, and as I was unable to attend the first, today was the day that we made a lot of executive decisions regarding PB4. We have come to a decision about how we will generally structure our two essays and what we will primarily focus on.

  • Main Topic: children’s narrative and the texts that they take the form of
  • Will not split topic: both Text and Narrative will be discussed in both essays
  • 30% crossover will be the definitions of Text and Narrative
  • “Finding Nemo” or “Shrek” can be used as an example of linear structure
  • Main topics for audio essay: Narrative, Text, Narrative Structure, Textual Analysis
  • Texts: novels, films, TV series, online publications, comic books (comic book adaptations)
  • Visual Essay: primarily focus on film due to the flexibility of having visual components

 

PANIC! AT THE PROJECT BRIEF

So, I’ve been having a read of the brief for PB4 and have been pleasantly surprised and also petrified by some of the constraints. Below I have listed some of the constraints and how we can potentially use them to our advantage:

  • Combination of Found and Original materials: for the visual essay we could possibly use found footage from a variety of texts and use voiceover to layer original explanations/definitions over.
  • Genuine collaboration: not really an issue at this stage, but the use of a group conversation and a google doc ensures that everyone’s ideas are outwardly heard by each member of the group. The more brains, the merrier.
  • 30% Crossover: I think the best thing to do for this constraint would be to only use the same information in both essays when absolutely necessary (e.g. when defining text, narrative).
  • Copyrighted materials are partially permitted: due to the fact that this can only be used in context during critical analysis, we could incorporate this material into our definitions and further expand on it through examples and discussion.

NARRATIVE ANALYSIS IN MEDIA STUDIES

In the spirit of researching for Project Brief 4, I stumbled upon a video that is very similar to a visual essay by ‘davegud’ on YouTube and thought that it was definitely worth sharing and referencing on my annotated bibliography.

This video goes through each specific aspect of narrative (visual, structural, verbal, technical and symbolic codes and conventions) and distinguishes between what a narrative is, and what a story is, and how they differ. The video is both informative and engaging, providing specific examples of narrative texts that are relevant to the respective aspect of narrative.

I think that this video will be extremely useful to Project Brief 4 as the selected topic for my group is Narratives and Texts. Narrative is the focal point of this video, however it becomes broader through it’s discussion of relevant codes and conventions that essentially establish cinematic narrative. This video can be referenced in the discussion of defining what a narrative is, and can also be useful when selecting the example texts that we will draw upon. More than that, the definitions in the video are highly articulate and can be paraphrased in both the audio and visual essays. This video is also a major inspiration for our visual essay, because of the way it engages the audience while still being very entertaining, which is similar to the way we would like to deliver our information for PB4.

TEXT AND NARRATIVE

Due to this week’s public holiday, there was no lectorial, which also means no set topic or readings, so I decided to dedicate this blog post to some valuable information for PB4 that is a part of my annotated bibliography.

Wojik-Andrews, I., 2000. Children’s Films: History, Ideology, Pedagogy, Theory. Garland Publishing Inc. – Pages 7-9.

The pages from this text really encapsulate what a major aspect of our presentations will be. The discussion from this excerpt focuses in on the generic narrative structure of children’s films in particular: the “disruption-resolution narrative structure”. It goes on to describe a key feature that is said to have originated from Greek tragedy and is known as an Aristotelian concept that changed cinema permanently, the “beginning, middle and end” structure, which basically refers to establishment, conflict and resolution which is seen across cinema genres even in the 21st Century.

This article will be absolutely integral to both the visual and audio aspects of PB4, mainly because our chosen focus is children’s Narrative and Text. Having a scholarly insight into the structure of linear cinema as well as the structure of counter cinema of abstract or non-narrative children’s films (which we will also be discussing) will give our project credibility as this article directly aligns with our main discussion. This excerpt also touches on the idea of “happily ever after”, which is a key point of our overall discussion, as that is a generic cinematic tool that filmmakers use to gratify audiences so that plots make a full circle.

PB4

Also, today we were assigned our groups and presented with our task for our final brief for the semester, Project Brief 4.

I have been allocated into a group with Hannah and Alec, who are both ridiculously talented and seem to be very organised and on-task.

Our topic for this brief is Texts and Narratives, and our task is to complete two essays, one audio and visual, centred around this topic and working with and around the constraints of the two mediums.

We have decided that the most appropriate time to meet will be Mondays, straight after the lectorial for two hours to complete the bulk of the task. We also exchanged Facebook details and decided that a group chat would be the most efficient way to communicate.

This task seems really huge at this point, but I am feeling confident both in myself and my group.

FILM FEST

Today we viewed a majority of the classes PB3 submissions in a mini film festival, which wasn’t a bad start to the morning of my 18th birthday.

I was honestly blown away by the skills of some of the kids in my class; I envied their ability to seamlessly join audio and visual in a holy matrimony to create these productions of a professional standard. It’s so intimidating when you know that you’re sitting in the same room as these incredibly talented people based purely on luck.

We ran out of time for my group to have a crack at the ‘coloured hats’ evaluation process, however the most striking film to me was by a girl named Hannah, who interviewed her grandmother in her nursing home. These were the notes that I jotted down:

  • Lack of score is jarring, but in a provocatively good way.
  • Grandmother is excellent talent – delivers really well in front of camera and presents as a loveable character.
  • Found footage ties in seamlessly with the discussion of love and marriage, it almost seems as though that is footage from the grandmother’s wedding.
  • The background noise from the nursing home gives the interview an overall realistic and voyeuristic feel, brilliant.

COLLABORATION

In this week’s lectorial, Rachel delivered a lecture on the topic of Collaboration, not only for PB4, but also for a career in media. She made it clear that communication and mutual respect are key to a successful group project. Despite the seriousness of this topic, all I could think about were those memes floating around Facebook about group work, let’s hope my group isn’t like this!

 

group

PROJECT BRIEF 3: FOR RICKY

 

For my third Project Brief I was tasked with shooting and editing a 2-3 minute film based around an interview with a subject of our own choice.

This has by far been the most intellectually and emotionally challenging Brief so far. I wanted to choose a topic that was important enough to me so that I wouldn’t slack on it, or have any excuse but to give it my all.

On the 20th of February last year, I lost my best friend to cancer, and from that day forward I haven’t been the same person. Losing Ricky helped me to refocus on what and who really mattered to me, and since his passing, I have remained significantly close with his family whom I love very much.

I wanted to give Darren and Connie a platform by which they could express their sentiments about their son, about the hospital system, about cancer, about their thriving Ricky Taylor Foundation and mostly about how far they’ve come in the year since.

As I have mentioned in previous blog posts, working with Adobe Premiere Pro CC and film as a medium is not within my area of comfort, but I found through this Project and the use of Lynda.com, I was able to expand my knowledge of editing and the way that it affects the overall mood of the film that I’m creating.

I went with a very sorrowful piano track to complement the general mood of the film, but moreover, that piece has a certain rhythm to it so that the visual and the audio contrast with each other harmoniously.

I selected red as an accent theme colour because that was Ricky’s favourite colour as well as the colour of the Foundation logo.

Nonetheless, I did have some technical difficulties with the ZOOMH2N that I used to record the dialogue from the interview.

In an attempt to make my interviewees as comfortable as possible while discussing such a sensitive topic, I placed the microphone a distance from Connie and Darren, thereby allowing the camera to pick up some background distortion. I understand that being in front of a camera with microphones in your face can be particularly intimidating, especially for people who aren’t used to it, which is why I decided to steer the interview in a more casual direction, whereby Connie and Darren felt comfortable and the dialogue didn’t seem hostile. While the sound is subtle with the background music over and the dialogue masks it, it is still present and I now know for next time that ideally I would have the microphone closer to their mouths.

Overall, I’m truly proud of this piece. I feel that I really did Connie, Darren, The Ricky Taylor Foundation and hopefully Ricky proud also.

Enjoy.

 

STORY TELLING

I stumbled upon this quote while browsing on Tumblr earlier and realised who wonderfully it tied into this week’s topic and reading; storytelling through any media platform is a means of understanding and communicating, it’s almost empathetic and I think that’s a really beautiful thing.

 

“Story telling is about connecting to other people and helping people to see what you see.”

– Michael Margolis

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