Serial
Cheesy bumper, vox pops from the cool crowd, over the phone interviews collect from prison, a compelling topic, a conversational narrator, a cheesy bumper that returns as a Motif! Who wouldn’t be socially drugged by this show? Win win! [Cue the bumper music].
Koeng, S and J Snyder (2014) Serial. WBEZ Chicago
* on studio drive and online
http://serialpodcast.org/
“Marrying Out” MEOW!!
From the foley bells, gun shooting, to the dominican rosary bead buckshot assault, Siobhán’s McHugh’s 2009 piece “Marrying Out”, was nothing short of a seminal reminder that history has and will again repeat. It includes didactic reenactments, interviews and prose, which moves the listener rhythmically to a tune without a condo.
I’m not entirely sure why the core doctrine of the Christian faith and their understanding that love and compassion will defy all, emulsified with the words, you’re not one of us, makes the tingles in my spine move in that adverse direction that a cat gets when they’re stroked the wrong way.
The interviews in Siobhan’s documentary were true, harrowing and they all sought to reveal the impact of obstinate institutions, read as though you were in the space with them. It left me wondering, why oh why have those at the pulpit refused to move with the times but rather against them… MEOW? In addition, earing the ancient Gregorian chants on this recording positively confirms this by reminding of similar professorial religions that dictate archaic teachings.
I felt it ironic that the letters read in an off mic tone, resembled purging platitudes not dissimilar of those read in a confessional. The priest gives the blessing “Espírito Santo” in a scratchy low fi intonation that puts us on the outside looking in.
McHugh, Siobhán, (2009) “Marrying Out” Hindsight. ABC Radio National
Under the Bridge Downtown
A potential recording location that interests me is by the Yarra River, north of The Tan in South Yarra. It is under the arch of the Morell Bridge which was built in 1899 but was closed to motor vehicle traffic in the late 1990’s. Being by the Yarra and tucked away in its natural sound baffle, it is a bucolic setting; there are sounds of wildlife, rowers, cyclists, joggers… and barely a hint of the hustle and the bustle of the busy city which is just minutes away.
I ride under this bridge very time I commute to the city, every time I do, I nearly always click my bike gears as I pass underneath it because of its pleasing natural reverberation and slap delay facilitated by its smooth curved parabolic arch on the underside.
I would like to record a musician here, perhaps a solo artist, and produce it dry to get a sense of this sonically organic space.
The Stonnington Council Recording Permission information is at…
Location, Location, Location.
Location, Location, Location.
I’ve decided on a key focus for my next production. Last week I was fixated by the montage inspired by class listening, the week before, it was audio quality in capture and editing, and this week, I really want to immerse myself in relaying location; whether that be communication by means of foley and sound modification or using raw… lesser treated O/B streams of action, I want the listener to be undoubtedly transported to the intended setting…
..by hook or by crook!
Indelible Mental Tattoo
Amy Hanley possesses something that many great artists used to see them through their resounding yet tortured careers; experimentation, fearlessness, freedom of expression, imagination and an oppressive constraint (in this case time).
This audio piece spoke numbers about Amy’s willingness to try new platforms in media, dissecting 20 minutes of CSI style grilling into a montage of an almost unquantifiable amount of unfinished phrases with a topic theme centred around lies and deception. Interwoven were interjections of low fidelity recordings of Amy’s own voice which was recorded separate, subtly parodying mass media’s urge to create, distort and manipulate the facts to benefit their own cause.
Amy’s piece was about, well… it was a romance, it was a tragedy, a bleeding-heart nostalgic tirade, it was a phyco-analysis, a revelation, a coming of age, a tribute to McLuhan’s ‘media being the message’ notion, a colossal car chase scene from Kojak, an unrequited duelling banjos challenge, a story about the person you respect the most, a reality you resent, an ode, a eulogy, and a statement of jest and hyperbole… well, at least I hope they was!
This audio montage was an indelible mental tattoo that has given me the courage to embrace true sonic expressionism.
Amy Hanley’s Peer Portrait
For my Peer Portrait in New Wave Radio, I have teamed up with Amy Hanley.
My aim was to create a rich audio vignette using voice over, original music and archived sounds, I wanted the audio to be dynamic with a good volume level sans distortion. I also wanted to explore vocal montage as heard in Just Another Fish by Molly Menschell.
This very short biography of Amy looks at her passions and aspirations, I had given Amy a run down of some questions that I was going to ask a formal recorded interview just incase there were topics that were off limits.
The recording began at The National Gallery of Victoria where I gathered sounds of the fountain. From there, we trekked to RMIT in the hope that someone in the AV department might be so kind as to lend us a sound proof both. Techie and true gentleman Lambros was our knight in shining audio/visual equipment that afternoon.
My questions to Amy for the interview were fairly simple; favourite movie, favourite music, who were her influences and what had inspired her through life, hobbies and profundities etc. It became evident that the ocean has played a big part in Amy’s life, she is a surfer from the West Coast. Naturally, I felt that water could be a good motif element throughout my piece.
The recording device that I used was an H6 Zoom recorder, set to the X/Y axis microphones. A tripod mount for the H6 might have minimised some of the inconsistencies in the audio, as my fatigued arm was struggling to remain still for 20 minutes as I held the device up to the optimum distance from the subject.
The music was my own, it was recorded with a Rode NT1000 microphone and a VST piano on Protools, the edgy opening sound was from the www.freesounds.org file sharing database.
I was most happy with the sound of Amy’s voice, her story (though most of it ended up on the cutting room floor so to speak) and the reflexive introduction. I was most torn by the ambiguity of the duration set in the brief, do I produce 30” or or 2’30”?, and further to this, I most challenged by the compression of 20 magical minutes to 30 seconds. But, one of the biggest hurdles that I faced and am still facing right now as I write, is one involving software. I run Protools and I have it on my iMac at home and in order to put this on my new laptop, I have been advised to update the software though this has caused major problems such as a vicious white noise file conversion. I’m back and forth with Avid tech support and I’ll spare you the jargon and the tears because luckily, I bounced a draft copy to which I am using for this submission.
Protools
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– Menschel, M. (2005) Just Another Fish Story, Salt Institute for Documentary Studies, audio, USA
– Oymaldonado, Guitar Feedback 2, shared on www.Freesounds.org
-Thank you to Yield’s Tin Llama for the use of their SoundCloud site.
Setting Up the Grill
Amy and myself were lucky enough to be granted access to a sound proof room in the uni. The amazing Lambros, the name of the scholar who found the room for us, wasn’t happy with the original room that we had annexed and took us to the bowels of the campus to work in this padded gem. Sonically, it was blackhole that allowed us to record audio with our Zoom recorders with zero echo or interference.
The aim was not only to get to know the equipment, but to get to know one another for the purposes of the portrait, the method was to fire questions in a panel setting that resembled a scene from CSI… minus the remedial acting.
I found Amy’s question, poignant, philosophical, thought provoking… and somewhat abstract in comparison to the naff speed dating questions that I had prepared.
We ended the session with me jamming on my steel guitar, my playing was as rusty as an old axe and I just hope Amy can salvage something that doesn’t make me sound like a complete hack.
I left meting thinking of how I could have answered the questions better which lead me to reflecting on my own existence.
Amy Hanley setting up the panel.
POETRY IS A TOWN IN TEXAS!
“Poetry is what gets lost in translation”
– Robert Frost
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“Poetry is the art of substantiating shadows and of lending existence to nothing”
– Edmund Burke
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… it is also a town under the orange dot.
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Poetry