COMMON FILM COLOR SCHEMES (2)

  1. Triadic Color Scheme

Triad

Triadic colors are three colors arranged evenly spaced around the color wheel. One should be dominant, the others for accent. They will give a vibrant feel even if the hues are quite unsaturated. Triadic is one of the least common color schemes in film and although difficult, can be quite striking.

Pierre_Le_Feut-640x424@2x

Jean-Luc Goddard’s 1964 “Pierrot Le Fou” makes use of a triadic color scheme of red, blue and green.

  1. Split-Complementary Color Scheme

SplitComplementary

A split-complimentary color scheme is really very similar to complimentary colors but instead of using the direct opposite color of the base color, it uses the two colors next to the opposite. It has the same high contrast but less tension than a complimentary pair.

Split_Complementary_Burn_After_Reading

A split complimentary color scheme in this scene of the Coen Brother’s “Burn After Reading” of red, green and teal.

  1. Tetradic Color Scheme

Tetrad

Tetradic colors consist of four colors arranged into two complementary pairs. The result is a full palette with many possible variations. As with most of these color harmonies, one color is usually dominant.

Complementary_Magnolia

A scene from “Magnolia” showing another example of Hollywood’s love affair with orange and teal. Blue/green has been pushed into the shadows, and orange in the midtones and highlights specifically in skin tones.

Leave a Reply

Your email address will not be published. Required fields are marked *