Fandom

“fan cultures are a problem for legitimate culture because they muddy it, demanding attention to there culture. “

Taken from todays lecture, when shown I couldn’t help but think about the fandom that forms around children tv show: My Little Pony. 

Cartoons are often a mixed audience of the children the show is intended for and the adults who are also avid viewers. However the a lot of the adult male fandom of My Little Pony, wanted a distinction from the rest of the shows audience and coined the term. “Bronys” 

Bronys not only needed to establish that they were in fact a male audience (evidence by the name it’s self a mixture of Bro and Pony but their insistent to call older female fans, Pegasisters.) enjoying a “girls” cartoon, but also they’re “real fans of the show.”Although it’s been suggested that theres nothing wrong with adults enjoying media originally targeted at children, the idea of Bronys are less about enjoying a show, but the act of a like minded audience trying to reassure themselves that it’s okay to like a show target towards little girls and when that failed they tried to make the show theres. 

The fact that most conventions panels start with, if there are any little ones in the audience can we please allow them to the front. This example shows that rather than being welcomed little girls are pushed out of a space that had every intention of belonging to them. 

BrainStorming Artefacts

In todays tutorial we were able to get together and share our research.  For my articles I found that the programming of LBGT festivals to be a interesting because it showed how the organisation of the festivals could inform and define the collective “we” within in the audience. The article which can be found here  also includes missions statements an information about the film festivals, which is not only informative but provides us with an idea of how to start our research. Georgina also suggested how it was interesting to see if film festivals should be seen as a business or  something for the community which I feel also fits when looking at programming.

When braining storming for our artefact, Emily suggested doing a snappy news reel, that talks current film festivals about how programming is being used to capture each audience. We continued our brain storming coming up with ideas such as; podcasts of interviews, vlogs of our film festival experiences, a feature article, a program of the festival involving the same tongue and cheek tactics involved in the news reel.  We also considered establishing a hashtag on twitter where people can share there experience attending certain festivals exploring why they went and how they enjoyed it.

Overall we all really enjoyed the news reel idea and have decided to pursue it by Tuesday next week we are all expected to come up with a script and ideas surrounding a film festivals program and how their trying to capture audiences.

Storytelling

“Everything is story, story is everything.”

This weeks reading: The Substance of Story focuses heavily on how writers/storytellers use protagonists cause an audience reaction. Although I found the reading to be extremely interesting and helpful it began to make me wonder about if you could tell a story without using a protagonist.

Audience want to recognise a shared humanity in their movie characters, as long as your paper clip character, has some eyes and a strong desire to fix his problems a bond is formed with him.  So what happens if you take away character and focus on subjects? Is the story about the tree falling in the forest a story without a person there to duck and weave a branch? Can we as creatives tell stories using subjects rather than characters?

An example that sprung to my mind was Stan Brakhage experimental film: The Dante Quartet, a short silent film which was created by painting images directly onto the film. There are no characters only text and movement of colour divided into four parts: Hell Itself, Hell Spit Flexion, Purgation and existence is song. 

For me the spilt into four different parts tell a story of a journey through hell, and the way the paint moves faster or colours are repeated show what each of these stages are like. This feels like a narrative without a protagonist however it’s easy to say that the film maker is the protagonist or that it’s simply not a narrative at all.

This question is something I might want to look into exploring through the continuation of my course.

You can watch The Dante Quartet here