The concept of ‘entanglement’ in media storytelling is quite complex, and so I have given a lot of thought about what it means to be entangled in the world in these first few weeks. The implications of the word ‘tangle’ when used to describe the world we live in are that it has a messy and unique quality. Therefore to familiarise myself with this concept I have read the Tim Ingold reading, ‘Rethinking the animate, re-animating thought’. A quote I really like from this reading is that things exist in a field “not of interconnected points but of interwoven lines; not a network but a meshwork” (p.70). I feel that this encompasses the idea that as things in our world thread paths of their own, they are constantly relating to each other, creating a weave of existence. I found this interesting as it is quite an abstract perspective. It highlights the texture of the world we inhabit, and that beings do not live their lives in a static manner. Another idea I quite liked was that “things are their relations” (p.70), which reinforces that the relations things form give the things themselves meaning. In my media work, I would like to highlight the changing nature of human relationships in particular. One way I would like to do this is by examining the role that technology (mobile phones in particular) have become a part of this meshwork in our lives.

While I am developing my ideas, I also want to think about how I can craft a story to represent our entanglement with technology in an interesting way. I feel that the example video that was shown in class, Dead stuff: The secret ingredient in our food chain by John C. Moore on detritus does this well. The leaf texture of the animation gave meaning to the narration, which informs the viewer of food chains in our ecosystem. Similarly, the small media work we created in pairs used visuals and audio to highlight the entanglements of an everyday object (a disposable coffee cup). By using images of its life cycle- from its purchase to its disposal- and atmospheric sounds of eating, talking and drinking I could illustrate its context and purpose within the world. We found that our media work could be related to larger environmental concerns surrounding waste as it was a non-recyclable object. People often choose to use disposable cups because of their functionality and convenience in our lives, which made me reconsider the things I use in my own life such as plastic bags which are harmful to the environment.

In one of my small media works, I would like to do something similar to inquire about the new connections that exist with mobile technology. I intend on experimenting with some form of video collage or stop motion to create a unique composition. I would also like to delve into how this affects our personal and social relationships with others in today’s society.

Peter Cusack explores the idea that “all sound (even unspoken) conveys information about places and events that are different yet complementary to visual images and language”. In my audio work, I would like to incorporate this idea of field recording as ‘sonic journalism’. I found it interesting how sound can reveal things like the time of day in a location or have a textural quality. While doing some field recording of my own in the city I noticed the timbre of voices of a busy open space, compared to the calm and warm atmosphere of a cafe. In my audio work, I would like to highlight the entanglement between a person on their mobile phone and their disconnectedness with the other people in this busy space.

In addition, the idea of subtly revealing certain sound sources at a certain pace to elicit a specific emotion (fear, excitement) is interesting. The clip from Voyage There And Back was particularly engaging as it instilled a sense of isolation in the listener. I think that it would be unique to create a soundscape using voicemails and excerpts from text messages to engage the listener’s imagination and create an isolating feeling.

References:
Ingold, T, 2011 ‘Rethinking the animate, reanimating thought’, Being alive: essays on movement, knowledge and description, Routledge, London, New York: 67-75 (69-71)

Cusack, P. (2013). Field Recording as Sonic Journalism. In A. Carlyle & C. Lane (Eds.), On Listening (pp. 25–29). Devon: Uniformbooks.