Many weeks ago, the sounds of the chicken being cut within the context of Frankenstein has been an illustration of texture throughout the semester. The sounds that can be discovered in such an everyday situation has the power to become a haunting element of the piece, as well as an example of more creative story-telling. However, for a new-comer, this is an intimidating feature of radio’s new wave due to the sheer creativity, and the idea of creating a different context to sounds. I have been a little stumped on how to emulate such a powerful concept into my pieces. I am a little embarrassed to say that I don’t believe I have been creative this semester.
I feel that this form of sound design would be very effective for effective story. Depending on the idea, I will try to create something similar to this effect in the final piece.
I would also like to focus on the rhythm of words next semester, and created something that sounds similar to spoken poetry. This would require very strict story-boarding, and would be require actors, as well as general rehearsal of sound. I do not feel that I have been capable of this in recent projects, and hope that with
Learning about sound design.
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