As cameras and their operators become more adventurous with camera coverage as technology allows them to do so, documentary filmmaking has developed significantly to allow for moments to be captured that were once not possible. Looking at James Gay-Rees’ world-renowned documentary series “F1 Drive to Survive” I explore the techniques and planning processes that he and his team employ to ensure they are able to carry out one of the most impressive displays of live shot camera coverage in the modern-day. With the assistance of Formula 1 reporter Will Buxton, I am able to unearth information straight from the production studios and the race paddock that typically hasn’t been available to the public until now. From this process of discovery, I have found myself become far more knowledgeable on the process of large-scale documentary filmmaking but it has also filled me with confidence, to know that no matter how large or expensive the documentary, the crew still works with relatively cheap and accessible equipment. The moral of the story being, it’s not about the gear but more or less how you use it.

Link to my project: http://www.mediafactory.org.au/campbelllord/2021/05/27/the-scene-in-cinema-assignment-4/