JOHN MAGALLANES

By the end of the studio, I have gained the knowledge of camera coverage and the understanding of decoupage. The inclusion of theory in a predominantly practical studio resulted in an enjoyable and informative experience. Comparing the work of other famous filmmakers and the way they conveyed meaning through the camera became an inspiration for the whole class to experiment with different techniques. Getting to use high-end professional equipment made it clear that this studio is serious about the art in filmmaking and the availability of this equipment gave me the confidence to complete the task that was given to me. This studio has been memorable due to the willingness of other studio members to engage in the exercises and content that was presented. It really did make me feel like I was part of a group of people that were truly passionate about the camera. The studio helped me understand the intricacies of filmmaking even more and the enthusiasm if our tutor inspired me to look further into the meaning of every shot and technique.

Learning through my mistakes and the mistakes of others was an essential skill from this studio and to which I can apply to future studios. There was no complete wrong way of filming a scene, instead, there were only bad ways of doing it. Through this studio, I’ve learnt that there are certain rules that dictate how the camera is used, whether it be its position (180-degree rule) or how the subject is framed (rule of thirds). While these rules can be considered conventional, we don’t necessarily have to abide by it and the decision to break a rule can be added to our own style of filmmaking. In summary, the practicality, as well as the theoretical elements of this studio, made for an extremely fascinating experience and to which I’d remember for a long time.

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