materialist mangles

Tag studio notes

Studio 23

1 list of skills [ ] how to write differently [ ] how to write better [ ] the role of editing in you writing [ ] how to read more effectively [ ] how to take notes more effectively… Continue Reading →

Studio 22

We read and answered the questions that arose from the road map. Then used the cold, ulcers, and childcare as examples to think about: What is it to think that it is our practices that enact (make, perform, enable, create,… Continue Reading →

Studio 21

IN DRAFT A slight change of tenor as I will give you some information about what might happen after your degree. Options, the differences, and why you might do one rather than the other. Then we moved into a reflective… Continue Reading →

Studio 20

Foggy morning, would have loved the time to have been able to make a short film about the fog. Where I live it was thick and around the street lights were glowing halos. We are moving toward what we call… Continue Reading →

Studio 19

Begin Here Risk Why What you hope to understand maybe, maybe not, this Groups What group from Offenburg did you get? What do you propose to do? How? Why share Personal Films what is it going to be about? (what… Continue Reading →

Why?

How or why might this studio matter into a future? YMMV in your working life times you will have to recognise and acknowledge the enmeshedness of everything, and this entails new obligations – to the people that make our media… Continue Reading →

Studio 18

Looked at Blue Poles. Looked at the opening of Manhatten. Talked about description versus story. How your work is a thing with its own agency and that it ignores, does not survive, your intent. The role and agency of the… Continue Reading →

Studio 17

17. I think it is 17. I do know it’s a Thursday. Groups curated their work ready for critique from Paul Ritchard and Sophie Langley. Small group discussion: what is one thing you think you have learned so far that… Continue Reading →

Matters of Concern

Bruno Latour describes matters of concern as a way to recognise diversity and heterogeneity rather than hegemony. He notes that: The discussion [of freeing human actors from only social explanations and to recognise natural objects to be more than just… Continue Reading →

Studio 16

Well, that felt flat didn’t it? I began with Taras’ post about the Patrick Pound exhibition and how simple constraints, followed, allow different sorts of noticing, making, and artefacts to be created. While this is a particular sort of rule… Continue Reading →

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