Ecologies of Noticing

materialist mangles

Page 3 of 18

Film Poetics Talk

Sharing this as some may be interested in attending, but also because it is an example of how what we’ve been doing is now appearing in lots of different contexts and practices. Screen Studies Seminar Series – Thursday, 18th of… Continue Reading →

Risk and Innovation

An interesting view of innovation and risk: This story has been so widely repeated as to become a cliche. It’s also inaccurate. Contrary to popular belief, entrepreneurs typically make terrible innovators. Left to its own devices, the private sector is… Continue Reading →

Disparate Elements in Novel Ways

In amongst the difficult language is a restating of my comment about what matters is bringing things into new relations (btw he’s talking about concept albums): From the perspective of a process-relational* ecocultural aesthetic, the best art is that which… Continue Reading →

Studio 19

Begin Here Risk Why What you hope to understand maybe, maybe not, this Groups What group from Offenburg did you get? What do you propose to do? How? Why share Personal Films what is it going to be about? (what… Continue Reading →

It’s Only Always About Finding the Lines

Oh, this is elegant and this, in particular “A determination to be the change”. To use a cliché, sometimes you’re the hammer, sometimes the nail. What is it for you to leave here to become mainly hammer? Then there’s “I… Continue Reading →

Risk

Louis picks up on my ‘insane’ comment. I can be blunt (harsh, abrupt, direct) can’t I? Pain in the arse too I imagine. I described Louis’ comment as ‘insane’ because in a world of change that you have been gifted… Continue Reading →

Vibrant Matter

We are now in a better position to name that other way to promote human health and happiness: to raise the status of the materiality of which we are composed. Each human is a heterogeneous compound of wonderfully vibrant, dangerously… Continue Reading →

Non Narrative Films

Non-narrative films eschew or de-emphasize stories and narratives, instead employing other forms like lists, repetition, or contrasts as their organizational structure. For example, a non-narrative film might create a visual list (of objects found in an old house, for instance),… Continue Reading →

Latest Edition of the eBook

Have updated eBook with your latest work. New, improved. Comes with new photos too. Readings2.epub

What I Need to Find Out

On Tuesday everyone was invited to write about what they would like to understand or know between now and the end of semester. I’ve collected these. Please read them. You can find them under the Documentings menu.

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