Adrian Miles
Adrian Miles is a Senior Lecturer in New Media and currently the Program Director of the Bachelor of Media and Communication Honours research studio at RMIT, in Melbourne, Australia. He has also been a senior new media researcher in the InterMedia Lab at the University of Bergen, Norway. His academic research on hypertext and networked interactive video has been widely published and his applied digital projects have been exhibited internationally. Adrian's research interests include hypertext and hypermedia, appropriate pedagogies for new media education, digital video poetics, and the use of Deleuzean philosophy in the context of digital poetics. He was the first or second person in the world to videoblog.
Rushkoff 2
Nora enjoys how contemporary the Rushkoff is (and enjoys Community), and as Rushkoff says here narrative is no longer used as a way for us and the characters to understand their world.
Ben is frustrated, happens when you miss class one. Also if you don’t read the blog regularly. Meanwhile Jialu is wondering to what extent games might be a viable answer to Rushkoff’s questions, though surely it is still all story? (I might have that wrong), and what seem to be three rather large questions. Lydia takes the sensible shortcut and photographs her notes on the Rushkoff
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Adrian Miles
Adrian Miles is a Senior Lecturer in New Media and currently the Program Director of the Bachelor of Media and Communication Honours research studio at RMIT, in Melbourne, Australia. He has also been a senior new media researcher in the InterMedia Lab at the University of Bergen, Norway. His academic research on hypertext and networked interactive video has been widely published and his applied digital projects have been exhibited internationally. Adrian's research interests include hypertext and hypermedia, appropriate pedagogies for new media education, digital video poetics, and the use of Deleuzean philosophy in the context of digital poetics. He was the first or second person in the world to videoblog.
March 6, 2017
Commentary
Rushkoff