June 6, 2016 Zhou, T 2014, The Spielberg Oner- One Take, One Shot, Online Video, Accessed 21/03/2016, . Continue reading →
June 6, 2016 Zettl, H 2012, Sight, Sound, Motion: Applied Media Aesthetics, 7th Edn, Wadsworth Cengage Learning, Boston MA, pp. 303- 311. Continue reading →
June 6, 2016 Wang, B, Kaplan, E A 2004, Trauma and Cinema: Cross- Cultural Explorations, Hong Kong University Press, Aberdeen, Hong Kong, pp. 230- 235. Continue reading →
June 6, 2016 Suhr, C, Willerslev, R 2013, Transcultural Montage, Berghahn Books, USA, pp. 159- 163. Continue reading →
June 6, 2016 Bazin, Andre, “The Evolution of the Language of Cinema”, “The Virtues and Limitations of Montage”, What Is Cinema?, University of California Press, 1967, translated by Hugh Gray Continue reading →
June 6, 2016June 7, 2016 The 30 Degree Rule, Light Film School http://www.lightsfilmschool.com/blog/the-30-degree-rule/128/ Continue reading →
June 6, 2016 180 Degree Rule and Other Shot Sequence Tips, Light Film School http://www.lightsfilmschool.com/blog/180-degree-rule-video-tutorial/ Continue reading →
June 6, 2016 Renee, V, 2013, Understanding the Hidden Editing in Hitchcock’s ‘Rope’, No Film School, October 4, 2013 http://nofilmschool.com/2013/10/understanding-hidden-editing-in-hitchcocks-rope Continue reading →
June 6, 2016 Murch, Walter, 1995, “The Rule of Six”, In the blink of an eye: A perspective on film editing, Silman-James Press, 1995, p 17 – 20 http://www.tlu.ee/~rajaleid/Basic_Editing_MA_2014/readings/In-the-Blink-of-An-Eye.pdf Continue reading →
June 6, 2016 Reisz, Karel, and Gavin Millar. The Technique of Film Editing. New York: Hastings House, 1968. Print. Continue reading →
June 6, 2016 Bowen, Christopher J., and Roy Thompson. Grammar of the Edit. N.p.: Focal, 2013. Print. Continue reading →
June 6, 2016 Goodman, Robert M., and Patrick J. McGrath. Editing Digital Video:. New York: McGraw-Hill, 2003. Print. Continue reading →
June 6, 2016 Chandler, Gael. Film Editing: Great Cuts Every Filmmaker and Movie Lover Must Know. Studio City, CA: M. Wiese Productions, 2009. Print. Continue reading →
June 6, 2016 Dancyger, Ken. The Technique of Film and Video Editing: History, Theory, and Practice. Boston: Focal, 2002. Print. Continue reading →
June 6, 2016 Crittenden, Roger. Film and Video Editing. Florence, US: Routledge, 2003. ProQuest ebrary. Web. 20 March 2016. Continue reading →
June 6, 2016 BARON, CYNTHIA. “Acting Choices/filmic Choices: Rethinking Montage and Performance”.Journal of Film and Video 59.2 (2007): 32–40. Continue reading →
June 6, 2016 Newton, Dale, and John Gaspard. Digital Filmmaking 101: An Essential Guide to Producing Low-budget Movies. Studio City, CA: Michael Wiese Productions, 2007. Print. Continue reading →
June 6, 2016 Videomaker, Inc. The Videomaker Guide to Video Production. 4th ed. Elsevier/Focal Press, 2008. Web. Continue reading →
June 6, 2016 Harwood, Julie D. The Construction of Meaning in Hollywood and Music Video Editing Aesthetics: A Comparison between the Pre-Television and Music Television Generations. Order No. MQ52462 University of Windsor (Canada), 1998 Ann ArborProQuest. 20 Mar. 2016 Continue reading →
June 6, 2016 Murch, Walter. In the Blink of an Eye: A Perspective on Film Editing. Los Angeles, CA: Silman-James, 2001. Print. Continue reading →
June 6, 2016 Eisenstein, Sergei, and Jay Leyda. Film Form; Essays in Film Theory. New York: Harcourt, Brace, 1949. Print. Continue reading →
June 6, 2016 Orpen, Valerie. Film Editing: The Art of the Expressive. London: Wallflower, 2003. Print. Continue reading →
June 6, 2016 Smooth Cutting – The Ideal (Film Editing), What-When-How, The-Crankshaft Publishing http://what-when-how.com/film-editing/smooth-cuttingthe-ideal-film-editing/ Continue reading →
June 6, 2016June 6, 2016 Hollywood’s History of Faking it : The evolution of Green Screen Editing, Film maker IQ http://filmmakeriq.com/lessons/hollywoods-history-of-faking-it-the-evolution-of-greenscreen-compositing/ Continue reading →
June 6, 2016 Sound in Film making, The Language of Films, Pacific Cinematheque http://thecinematheque.ca/education/wp-content/uploads/2012/02/LanguageofFilm07.pdf Continue reading →
June 6, 2016June 6, 2016 Gates Chris, When Editing a Horror Movie or a Triller, Timing is Key, Video Maker, October 2014 https://www.videomaker.com/article/c3/17056-when-editing-a-horror-movie-or-thriller-timing-is-key Continue reading →
June 6, 2016June 6, 2016 Schager, Nick, Editing is Key to the Drama and Comedy of The World’s End, A.V. Club, Jan, 2014 http://www.avclub.com/article/editing-is-key-to-the-drama-and-comedy-of-the-worl-200786 Continue reading →
June 6, 2016 Daseler Graham, Cutter’s Way: The Mysterious Art of Film Editing, Bright Lights Film Journal, October 2012. http://brightlightsfilm.com/cutters-way-the-mysterious-art-of-film-editing-the-mysterious-art-of-film-editing/#.V1U905N96fW Continue reading →
June 6, 2016 Robinson, Citizen Kane: Editing Techniques Add to The Film’s Mystery, Film Analysis at the University of Florida, 2014 https://ufilmanalysis7308.wordpress.com/2014/02/08/citizen-kane-editing-techniques-add-to-the-films-mystery/ Continue reading →
June 6, 2016 Reisez, Karel, “The History of Editing”, Technique of Film Editing, 1958, Focal Press Limited, 1996 Edition, p. 15 – 40 Continue reading →
June 6, 2016 Wendy Apple, 2014, The Cutting Edge: The Magic of Movie Editing, distributed by British Broadcasting Corporation (BBC) and Warner Home Video in UK and USA respectively. Continue reading →
June 6, 2016June 6, 2016 Scoma, Joey, 2016, “Cuts and Transitions 101”, “Editing: Creating the Oh F*** Moment”, “ProTip: Editing to the Eyes” “LAPL Panel Series – Editing”, Playlist – Editing, Rocket Jump Film School < https://www.youtube.com/playlist?list=PLw_JAmvzR_MBxjGDjDClxy29vdQFec1P2 > Continue reading →
June 6, 2016June 6, 2016 Hess, John, The History of Cutting – The Birth of Cinema and Continuity Editing, Filmmaker IQ, January 20, 2014 https://vimeo.com/86462452 Continue reading →
June 6, 2016 Brodwell, David, Thompson, Kristin, “The Relation of Shot to Shot : Editing – Continuity Editing”, Film Art – An Introduction, Ninth Edition, University of Wisconsin, p 236 – 249 Continue reading →
June 6, 2016 Katz, Steven, “Elements of The Continuity Style”, “The Moving Camera”, Shot by Shot, Michael Wiese Production, June 1991, p 121 – 158, 279 – 336 Continue reading →
June 6, 2016June 6, 2016 Renee, V, 2015, A Closer Look at the Hidden Editing Techniques used in ‘Birdman’, No Film School, October 16, 2015 http://nofilmschool.com/2015/10/a-closer-look-hidden-editing-techniques-in-birdman Continue reading →
June 6, 2016 Feneley Dustin, “Post Production: Editing”, Short and Sweet: the Art of Short Narrative Film, Issue 53, Screen Education, Focus on Filmmaking Continue reading →
June 6, 2016June 7, 2016 Berliner Todd, Cohen Dale, The Illusion of Continuity: Active Perception and the Classical Editing System, Journal of Film and Video, University of Illinois, 2011 Continue reading →
June 6, 2016 Moura, G. 2014 ‘Types of Transitions’, Elements of Cinema, Los Angeles USA, retrieved 22 March 2016. Continue reading →
June 6, 2016 Zettl, H. 2001’The Four-dimensional field: Time’, Sight, Sound, Motion: Applied Media Aesthetics, Wadsworth, Boston USA Continue reading →
June 6, 2016 Underwood, G. 1998 Eye Guidance in Reading and Scene Perception, University of Nottingham, London UK Continue reading →
June 6, 2016 Pudovkin, V.I. (trans Montagu, I.) 1954 ‘The Film Scenario and Its Theory’, Film Technique and Film Acting, Vision Press, London UK Continue reading →
June 6, 2016 Pudovkin, V.I. (trans Montagu, I.) 1954 ‘Methods of Treatment of the Material’, Film Technique and Film Acting, Vision Press, London UK Continue reading →
June 6, 2016 Proferes, N. 2008 ‘Introduction to Film Language and Grammar’, Film Directing Fundamentals: See Your Film Before Shooting, Focal Press, Oxford UK Continue reading →
June 6, 2016 Pearlman, K. 2009 ‘Chapter 9: Style’, Cutting Rhythms: Shaping the Film Edit, Focal Press, Oxford UK Continue reading →
June 6, 2016 Pearlman, K. 2009 ‘Chapter 1: Rhythmic Intuition’, Cutting Rhythms: Shaping the Film Edit, Focal Press, Oxford UK Continue reading →
June 6, 2016 Munsterberg, H. 1970 The Film: A Psychological Study, Dover Publications, Mineola USA Continue reading →
June 6, 2016 Miller, T. & Stam, R. 2004 A Companion to Film Theory, Blackwell Publishing, Carlton: Melbourne. Continue reading →
June 6, 2016 McCloud, S. 1993 ‘Chapter 3: Blood in the Gutters’, Understanding Comics: The Invisible Art, Tundra USA, pp. 60-93. Continue reading →
June 6, 2016 Kuleshov, L. (trans. Levaco, R.) 1974 ‘Art of the Cinema’, Kuleshov on Film: Writings of Lev Kuleshov, University of California Press, London UK Continue reading →
June 6, 2016 Fairservice, D. 2001 ‘Cinema and Psychology’, Film Editing: History, Theory and Practice: Looking at the Invisible, Manchester University Press, NY USA. Continue reading →
June 6, 2016 Eisenstein, S. (trans & ed Leyda, J.) 1949 ‘Methods of Montage’, Film Form: Essays in Film Theory, Harvest, London UK Continue reading →
June 6, 2016 Eisenstein, S. (trans & ed Leyda, J.) 1949 ‘A Dialectic Approach to Film Form’, Film Form: Essays in Film Theory, Harvest, London UK Continue reading →
June 6, 2016 Bordwell, D. & Thompson, K., 2013 ‘The Relation of Shot to Shot Editing’, Film Art: An Introduction, McGraw-Hill Education, NY US Continue reading →
June 6, 2016 Eisenstein, S 1988, “The Dramaturgy of Film Form (The Dialectical Approach to Film Form)” in Taylor, R (ed.), The Eisenstein Reader, London: BF, pp. 93-110. Continue reading →
June 6, 2016 Isenhour, JP 1975, “The effects of context and order in film editing” in AV Communication Review Volume 23, Issue 1, pp.69-80. Continue reading →
June 6, 2016 Harrah, D 1954, “Aesthetics of the Film: The Pudovkin-Arnheim-Eisenstein Theory” in The Journal of Aesthetics and Art Criticism Vol. 13, No. 2. Continue reading →
June 6, 2016 Harbord, J 2015, “The Potency of Film Editing: Rose Hobart Stop Return” in Contemporary Theatre Review, 25:1, pp. 68-72. Continue reading →
June 6, 2016 Crisp, CG 1987, “The Rediscovery of editing in the French Cinema” in Histoire & Mesure Vol. 2, Issue 3, Varia, pp. 199-214. Continue reading →
June 6, 2016 Carroll, N 1979, “Toward a Theory of Film Editing*”, Millennium Film Journal (ARCHIVE), , no. 3, pp. 79-99 Continue reading →
June 6, 2016 Cardullo, B 2001, “André Bazin on Film Technique: Two Seminal Essays”, Film Criticism, vol. 25, no. 2, pp. 40-62. Continue reading →
June 6, 2016 Butler, A 2012, “Some Early Film Theorists” in Film Studies, e-book, accessed 20 March 2016, Continue reading →
June 6, 2016 Bordwell, D 1993, “Seizing the spectator: film theory in the silent era” in The Cinema of Eisenstein, Harvard University Press, Cambridge, Mass., pp. 112-120 Continue reading →
June 6, 2016 Brown, B 2013, “Cinematic Continuity” in Cinematography : Theory and Practice : Image Making for Cinematographers and Directors, e-book, accessed 25 March 2016, Continue reading →
June 6, 2016 Winkler, Fabian & McMullen, Shannon. Continuity and Montage, Image of Nature Summer Program, 2011. (access from http://www.gardensandmachines.com/Summerprogram/wp-content/uploads/2011/07/editing_techniques.pdf) Continue reading →
June 6, 2016 The Speilberg Oner- One Take, One Shot 2014, Online Video, Zhou, T, Available at: https://vimeo.com/94628727, 21 Mar. 2016 Continue reading →
June 6, 2016 Smith, Tim J. “The Attentional Theory Of Cinematic Continuity”. Projections 6.1 (2012): (pp. 186 – 195) Continue reading →
June 6, 2016 Retchless, B. “Why Film Editing Works”. Www1.icsi.berkeley.edu. N.p., 2016. Web. 20 Mar. 2016. Continue reading →
June 6, 2016 Radev, Vlady. “Speed Ramping – How And When To Use It?”. 4K Shooters. N.p., 2015. Web. 21 Mar. 2016. Continue reading →
June 6, 2016 Off Centre: MAD MAX’s Headroom. (2016). [Blog] Observations on Film Art. Available at: http://www.davidbordwell.net/blog/category/technique-editing/, 19 Mar. 2016. Continue reading →
June 6, 2016 Moura, Gabe. “Types Of Transitions”. Elementsofcinema.com, 2014. Web. 18 Mar. 2016. Continue reading →
June 6, 2016 Kennedy, M. “Temple Of The Seven Golden Camels: The 180 Rule And When To Break It”. Sevencamels.blogspot.com.au. N.p., 2016. Web. 20 Mar. 2016. Continue reading →
June 6, 2016 Katz, Steven D. Film Directing Shot By Shot. Studio City, CA: Michael Wiese Productions in conjunction with Focal Press, 1991. Print. (pp. 3 – 22) Continue reading →
June 6, 2016 Dupaix, Air. “Film110 / Continuity Editing”. Film110.pbworks.com. N.p., 2016. Web. 18 Mar. 2016. Continue reading →
June 6, 2016 Cassidy, Kyle. “Cutting On Action”. Videomaker.com. N.p., 2016. Web. 24 Mar. 2016. Continue reading →
June 6, 2016 Boyd, Nicola. “Walter Murch And The ‘Rule Of Six’ – Film Editing – Video & Filmmaker Magazine”. Video & Filmmaker magazine. N.p., 2014. Web. 16 Mar. 2016. Continue reading →
June 6, 2016 Bordwell, D 1984, ‘Jump Cuts and Blind Spots’, Wide Angle, vol. 6, pp 4- 11. Continue reading →
June 6, 2016 Betancourt, M 2016, Beyond Spatial Montage: Windowing, or the Cinematic Displacement of Time, Motion and Space, 1st Edn, Routledge, New York NY, pp. 57- 62. Continue reading →
June 6, 2016 Hayward, Susan.. Cinema Studies: The Key Concepts. Taylor & Francis, 2006. 17 March 2016. Continue reading →
June 6, 2016 Rosenberg, John. The Healthy Edit: Creative Editing Techniques for Perfecting Your Movie. Focal Press, 2011. Web. Continue reading →
June 6, 2016 Dmytryk, Edward. On Film Editing: An Introduction to the Art of Film Construction. Boston: Focal, 1984. Print. Continue reading →
June 6, 2016 Author Not Available, Eye on the Oscars: The Nominees: Editing/The Analysis: And the Winners Were …, Variety; Feb 9, 2004-Feb 15, 2004; 393, 12; International Index to Performing Arts Full Text Continue reading →
June 6, 2016 Author Not Available, Film Editor Margaret Booth Dies (News) (Obituary), Hollywood Reporter, Nov 1, 2002, Vol.375(46), p.6(2) Continue reading →
June 6, 2016 Pearlman, Karen, and Safari Books Online (Firm). Cutting Rhythms: Shaping the Film Edit. Burlington, MA.: Focal Press, 2009. Continue reading →
June 6, 2016 Wright, Julia (2009). Making the cut: Female Editors and Representation in the Film and Media Industry, UCLA Centre for the Study of Women, UCLA Continue reading →
June 6, 2016 Williams, L.R 1993, Fantastic Voyages, The media and theory Sight and Sound; Jan 1, 1993; 3, 1; Screen Studies Collection pg. 36 Continue reading →
June 6, 2016 Strauss, M 2007, Scorsese’s right-hand woman, Playback : Canada’s Broadcast and Production Journal, Aug 6, 2007, p.3 Continue reading →
June 6, 2016 Shafto, S & Andrew, D (2000), Ut picture cinema: The strange adventure of Jean-Luc Godard Continue reading →
June 6, 2016 Oldham, Gabriella, First Cut: Conversations with Film Editors. University of California Press, 1992. Continue reading →
June 6, 2016 Geraghty, C 2007, Now a major motion picture: Film adaptations of literature and drama, Genre and beyond: a film studies series, pp. 33 Continue reading →
June 6, 2016 Pudovkin, Vsevolod I. Film Technique and Film Acting: The Cinema Writings of V.i. Pudovkin. New York: Lear, 1949. Print. Continue reading →
June 5, 2016 Mobbs, D. 2006 “The Kuleshov Effect: The Influence Of Contextual Framing On Emotional Attributions”. Social Cognitive and Affective Neuroscience 1.2: pp95-106 Continue reading →